Sam Challis<\/strong> and Catherine Namono<\/strong> (Rock Art Research Institute, University of the Witwatersrand, Johannesburg, South Africa)<\/p>\n\n\n\n John W. Arthur<\/strong> (University of South Florida, St. Petersburg, FL, USA)<\/p>\n\n\n\n Dante Angelo<\/strong> (Universidad de Tarapac\u00e1, Arica, Chile)<\/p>\n\n\n\n Kathryn Weedman Arthur<\/strong> (University of South Florida, St. Petersburg, FL, USA)<\/p>\n\n\n\n George Nicholas<\/strong> (Simon Fraser University, British Columbia, Canada)<\/p>\n\n\n\n Koji Mizoguchi<\/strong> (Kyushu University, Japan)<\/p>\n\n\n\n Peter R. Schmidt <\/strong>(University of Florida, Gainesville, FL, USA)<\/p>\n\n\n\n Uzma Z. Rizvi<\/strong> (Pratt Institute, New York, USA)<\/p>\n\n\n\n Chapurukha M. Kusimba<\/strong> (American University and Field Museum of Natural History, Washington DC, USA)<\/p>\n\n\n\n Aulii Mitchell<\/strong> (Cultural Surveys, Hawai\u2019i) and Tiatoshi Jamir<\/strong> (Nagaland University, India)<\/p>\n\n\n\n Juliana Salles Machado<\/strong> (Universidade Federal de Sergipe, Brazil) in collaboration with: Michael Heckenberger<\/strong> (University of Florida, USA)<\/p>\n\n\n\n Paora Tapsell <\/strong>(University of Melbourne, Australia & New Zealand Maori Centre of Research Excellence, University of Otago, New Zealand), in collaboration with: Marcia Langton<\/strong> & Lyndon Ormond-Parker<\/strong> (University of Melbourne, Australia), and Merata Kawharu<\/strong> & Hirini Tane <\/strong>(University of Otago, New Zealand)<\/p>\n\n\n\n Natalie Swanepoel<\/strong> (University of South Africa, Pretoria, South Africa)<\/p>\n\n\n\n Alice B. Kehoe<\/strong> (Milwaukee, WI, USA) in collaboration with: Bettina Schulz Paulsson<\/strong> (University of Gothenburg, Sweden)<\/p>\n\n\n\n Jan Turek <\/strong>(Center for Theoretical Studies, Charles University, Prague, Czech Republic)<\/p>\n\n\n\n E. Ichumbaki <\/strong>(University of Dar es Salaam, Tanzania) and Kellie Pollard<\/strong> (Flinders University, Australia)<\/p>\n\n\n\n Chuan-Chao Wang<\/strong> (Xiamen University, Xiamen, China)<\/p>\n\n\n\n Charlotte King<\/strong> (University of Otago, New Zealand) in collaboration with: John Krigbaum<\/strong> (University of Florida, USA)<\/p>\n\n\n\n Richard \u2018Bert\u2019 Roberts<\/strong> (University of Wollongong, Australia)<\/p>\n\n\n\n Innocent Pikirayi<\/strong> (University of Pretoria, South Africa) in collaboration with: Federica Sulas<\/strong> (Aarhus University, Denmark)<\/p>\n\n\n\n WAC-9 Prague 2022 Local Organizing Committee<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" A. Archaeological Practices 1. Global Perspectives on Rock Art Sam Challis and Catherine Namono (Rock Art Research Institute, University of the Witwatersrand, Johannesburg, South Africa) 2. Why Archaeology Needs Ethnoarchaeology John W. Arthur (University of South Florida, St. Petersburg, FL, USA) 3. Contemporary Archaeologies Dante Angelo (Universidad de Tarapac\u00e1, Arica, Chile) 4. High-Spirited Gatherings or Lightning Sessions Kathryn Weedman Arthur (University […]<\/p>\n","protected":false},"author":1157,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-68","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/users\/1157"}],"replies":[{"embeddable":true,"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":1,"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":69,"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/pages\/68\/revisions\/69"}],"wp:attachment":[{"href":"https:\/\/worldarchaeologicalcongress.com\/wac9\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}2. Why Archaeology Needs Ethnoarchaeology<\/h3>\n\n\n\n
3. Contemporary Archaeologies<\/h3>\n\n\n\n
4. High-Spirited Gatherings or Lightning Sessions<\/h3>\n\n\n\n
B. Archaeological Praxis<\/h2>\n\n\n\n
5. Evaluating Archaeological Knowledge<\/h3>\n\n\n\n
6. Discrimination and Injustices<\/h3>\n\n\n\n
C. Heritage<\/h2>\n\n\n\n
7. Community Approaches to Archaeology and Heritage Management<\/h3>\n\n\n\n
8. Transdisciplinary and Unbounded: Contemporary Approaches to Critical Heritage Studies<\/h3>\n\n\n\n
9. Trade in Art, Culture, and History: Heritage Tourism in the Twenty-First Century<\/h3>\n\n\n\n
D. Indigenous<\/h2>\n\n\n\n
10. Indigenous Views on Ancestors, Ancestral Sites, their Excavation and Disturbance<\/h3>\n\n\n\n
11. Archaeology as indigenous Advocacy<\/h3>\n\n\n\n
12. Fission or Fusion? Indigenous Engagement<\/h3>\n\n\n\n
E. Interactions and transformations<\/h2>\n\n\n\n
13. Historical Archaeology: Global Alterities and Affinities<\/h3>\n\n\n\n
14. Maritime Histories: The Seas in Human History<\/h3>\n\n\n\n
F. Identities and Ontologies<\/h2>\n\n\n\n
15. Archaeologies of Identity<\/h3>\n\n\n\n
16. Landscapes, Forests, Groves, Rocks, Rivers, and Trees: Ontological Groundings and Seeking Alternative Theories<\/h3>\n\n\n\n
G. Archaeologies and Sciences<\/h2>\n\n\n\n
17. The aDNA Revolution: Its Issues, Potentials, and Implications<\/h3>\n\n\n\n
18. A New Bioarchaeology: Telling the Difficult Stories<\/h3>\n\n\n\n
H. Environments<\/h2>\n\n\n\n
19. Climates of Change and Environmental Pasts<\/h3>\n\n\n\n
20. Water and Ancient Complex Societies<\/h3>\n\n\n\n
Z. World Archaeologies: the past, the present and the future<\/h2>\n\n\n\n
21. World Archaeologies: the past, the present and the future<\/h3>\n\n\n\n